Bhav Spandan - Youth Festival 2024
MKBU
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Welcome Readers ,
This blog is made on the grounds of a task assigned by Dr. Dilip Barad Sir to reflect our literary and critical skills on the events which we had attended in 'Bhav Spandana 'Youth Festival 2024.
The Grand Intercollege Event – YOUTH Festival is an annual celebration that brings together the vibrant spirit of young talent. It's the ultimate platform where students’ artistry and skills converge. This year, Maharaja Krishnakumarsinhji Bhavnagar University hosted a dynamic three-day Youth Festival from October 17th to 19th, 2024.
Students from diverse colleges and departments had the opportunity to exhibit their talents across a variety of competitive arenas, showcasing their creativity and skills.
The festival featured a total of #32 competitions organized under five sections, including Literature, Music, Fine Arts, Dance, and Theatre, each with a specific name:
1. નૃત્ય મંચ : એમફી થિયેટર
2. નાટ્ય મંચ : અટલ ઓડિટોરિયમ
3. સંગીત મંચ : નવો કોર્ટ હોલ
4. કળા મંચ : બાહ્ય અભ્યાસક્રમ ભવન
5. સાહિત્ય મંચ : અંગ્રેજી ભવન
• Kala yatra:-
Click here to view of the YouTube video of Kalayatra
The very first event which was organized in this 32th Youth Festival of Maharaja Krishnakumarsinhji Bhavnagar University was Kala Yatra. The most innovative ‘art conservation’ rally which was on 16 th October 2024, the 1st day of Youth fest was from Shamaldas Arts College to gurukul group of school &College, Sardar Nagar.
Kala Yatra is one of the best art forms where innovative ideas are presented from different perspectives in a very lively way. Though the theme is represented in various tableaux of Kala Yatra from Shamaldas Arts College to gurukul school sardar nagar.
Opening ceremony of youth festival 2024
•Skit :
https://www.youtube.com/live/LthViaxqJeM?si=Nuqy8gco6AQX2TAN
The skit traversed a vast landscape of pressing societal issues, starting with the heavy clouds of unemployment, the cracks in our educational framework, and the contentious storms surrounding rape cases. It ventured into the trials faced by women depicted in *Stree 3*, emphasizing the urgent need for women's empowerment. The performance tackled the provocative theme of “Gandhi Marte Kyun Nahi Hai,” weaving in the unifying anthem of “Hum Sab 1 Hai” (We Are All One). It shed light on the pervasive shadow of corruption in the job market, the notion of paperless transactions, and the dreams encapsulated in “Hu sapana thoda vechu chu” (I Want to Sell My Dreams), alongside a lament for the crumbling roads of Bhavnagar.
Through vivid characterization, the skit portrayed the struggles of individuals grappling with joblessness and financial woes, illustrating how such challenges can cast a pall over their spirits. It addressed the complex realities surrounding rape cases, revealing the barriers of legal systems, societal perceptions, and institutional constraints that often hinder victims from finding justice. The performance also highlighted the marginalized experiences of those who identify outside the binary of male and female, showcasing the discrimination and limited opportunities they face.
Using humor as a powerful lens, the skit cleverly illuminated serious themes, interspersing laughter with poignant commentary. The creative integration of music, varied vocal expressions, and dynamic pacing ensured the narrative remained engaging and resonant, leaving an indelible mark on the audience's minds.
• Bhajan:
https://www.youtube.com/live/ZtUoGOKh0Z0?si=3yaxxr_bMPZGsqrS
When we compare Bhajans to English literature, we can look at their themes, styles, and cultural features. Bhajans often explore themes like solitude, the search for spirituality, love, and self-discovery. While English literature also covers these topics, Bhajans uniquely highlight them within the context of Gujarati culture. The use of Gujarati phrases, such as "મોતીડા પરોવો પાનબાઈ," adds a cultural touch that is specific to Bhajans. In a similar way, English literature often includes cultural references that depend on the author's background and the story being told.
In terms of structure, Bhajans can be compared to narratives that focus on personal journeys, much like novels or essays. The wide range of Bhajans performed showcases the various themes and experiences found in this literary form. One key feature of Bhajans is their philosophical nature, which often reflects the idea of "Vairagya," or detachment. Lines like "Ghadvaiya mare Thakorji nathi thavu" (Even if the world falls apart, I won’t abandon my Lord), "Mane jya game che tya Haru chu faru chu" (I wander aimlessly in search of my Lord), "AMbani Dale Koyal ji re" (Oh Koyal, sing in the Ambe grove), "Zer to pidha jani jani re" (Drinking poison knowingly), "Shilvant Sadhune" (Oh wise sage), "Odhaji" (Oh Odhaji), and "Dhuni re Dhakhavi re beli" (Oh bonfire, burn brightly) illustrate this deep philosophical meaning.
• Mimicry :
https://www.youtube.com/live/Z04b3MDhV08?si=ZZ7-RYbuMelllKPO
Mimicry, a challenging and intricate art form, demands that participants master the ability to recreate a wide range of sounds, from the rumble of trains and the whizzing of bullets to the hum of helicopters and the echo of conch shells. They skillfully mimicked animals, creaky doors, chirping birds, famous actors, the fizz of soda bottles, traditional Daklas, the boom of bombs, and even the subtle rhythm of heartbeats. Impressions of personalities like Farah Khan and Kangana Ranaut, along with beloved characters such as Oggy and Doraemon, were brought to life. Some participants added a creative twist by weaving rhymes into their performances, elevating the entertainment value.
• Folk Dance:-
https://www.youtube.com/live/GOEGU0vVI3M?si=Kjby0M8wGS5ZTAaX
https://www.youtube.com/live/qTHCJqgPIIE?si=oDxa9Ojq8Czj9aBM
• Here title of the song as below 👇
1.આવું શાને થાય છે
2.મહેકતી હવામાં કંઈક તો સમાયું છે
3.ગાતા ખોવાયું ગીત શોધો હવે કલરવની ભીડમાં
4.આખિર ઇસ દર્દની દવા ક્યાં છે
5.દિલ એ નદાન
6.કૌન રે છેડે ઓલા,તારે રે દરબાર મેઘરાણા
7.ઓ વાલમ તારી આંખોમાં ઉડે રંગ ફુવારા
8.કુચી આપો બાજી
9. સૂરજના અંધારે ગળેલી રાત
10.એક પથ્થરમાંથી બનાતા શિલ્પને અદર મળે, જો માથરું જીંદગીને તો જ નકાર મળે.
• Poetry Recitation:
Topic of poem
● પ્રેમ એટલેકે
● કાશ એવ ુંબને...કે-
● હું એવો ગ જરાતી
● દોસ્ત! ત ુંવાત તો કર
● મારું ગામ ખાલી થઈ રહ્ ુંછે.
• વૃદ્ધ માબાપની વેદના
• On-the Spot Painting:-
• Rangoli :
• Quiz:-
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